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  • RE: R: [evola_as_he_is] Re: An Eye is Not Always an Eye (was: Image and video manipulation in the occult war)

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  • G. van der Heide
    Mar 17
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    In response to the initial messages of Rouesolaire we wish to share the following excerpts from a feminist study (which mainly cites W. Sombart):

    "Werner Sombart, in his study on Luxury and Capitalism (1922), has advanced the thesis that the market for most of these rare colonial luxury goods had been created by a class of women who had risen as mistresses of the absolutist princes and kings of France and England in the seventeenth and eighteenth centuries. According to Sombart, the great cocottes and mistresses were the ones who created new fashions in women’s dress, cosmetics, eating habits, and particularly in furnishing the homes of the gentlemen. Neither the war-mongering men of the aristocracy nor the men of the merchant class would have had, if left to themselves, the imagination, the sophistication and the culture to invent such luxuries, almost all centred around women as luxury creatures. It was this class of women, according to Sombart, who created the new luxury ‘needs’ which gave the decisive impetus to capitalism because, with their access to the money accumulated by the absolutist state, they created the market for early capitalism."

    "...Sombart’s thesis that capitalism was born out of luxury consumption and not in order to satisfy growing subsistence needs of the masses has great relevance for our discussion of the relationship between colonization and housewifization. He shows clearly that early merchant capitalism was based practically entirely on trade with luxury items from the colonies which were consumed by the European elites. The items which appear in a trading-list of the Levant trade include: oriental medicines (e.g., aloes, balm, ginger, camphor, cardamon, myrobalam, saffron, etc.); spices (pepper, cloves, sugar, cinnamon, nutmeg); perfumes (benzoin, musk, sandalwood, incense, amber); dyes for textiles (e.g., indigo, lac, purple, henna); raw materials for textiles (silk, Egyptian flax); precious metals and jewellery and stones (corals, pearls, ivory, porcelain, glass, gold and silver); textiles (silk, brocade, velvet, fine material of linen, muslin or wool).

    In the eighteenth and nineteenth centuries many more items were added to this list, particularly items systematically produced in the new colonial plantations like sugar, coffee, cacao and tea."

    "What did this tremendous deployment of luxury among the European rich, based on the exploitation of the peoples of Africa, Asia and America, mean for the European women? Sombart identifies certain trends in the luxury production, which he, as we have seen, attributes to the passions of a certain class of women. They are the following: 1. a tendency towards domesticity: Whereas medieval luxury was public, now it became private. The display of luxury does not take place in the market place or during public festivals, but inside the secluded palaces and houses of the rich.
    2. a tendency towards objectification: In the Middle Ages wealth was expressed in the number of vassals or men a prince could count upon. Now wealth is expressed in goods and material items, commodities bought by money."

    "3. a tendency towards contraction of time: Whereas formerly luxury consumption was restricted to certain seasons because the indigenous production of a surplus needed a long time, now luxuries could be consumed at any time during the year and also within the span of an individual life. Sombart again attributes this tendency – in my opinion, wrongly – to the individualism and the impatience of leisure class women who demanded immediate satisfaction of their desires as a sign of the affection of their lovers."


    http://caringlabor.wordpress.com/2010/12/29/maria-mies-colonization-and-housewifization/


    To: evola_as_he_is@yahoogroups.com
    From: vandermok@...
    Date: Fri, 15 Mar 2013 16:11:49 +0100
    Subject: R: [evola_as_he_is] Re: An Eye is Not Always an Eye (was: Image and video manipulation in the occult war)

     

    There is a special relation in the conjunction of the Moon and the planet Venus, both related to the Sun. From the moment in which Venus lets the superior conjunction with the Sun becoming “evening star” and the moment in which gets out from the inferior conjunction becoming “morning star”  nine lunations are completed, and as everybody knows, this is the period of the human gestation..

    The Venus Cycle of conjunctions with the Sun draws an enormous five pointed star along the Zodiac, where the planet returns to be evening or morning star in the same place of the Zodiac and in the same season after eight years. Five and eight are Venus’s numbers (the eight was also important in the Templar architecture).

    Everything with stellar shape, like the pentacle, is related to Venus. The Madonna is called Stella Maris, and in the paintings of the Renaissance she shows a five pointed star on the shoulder, for instance.

    Of course, in the nomad desert peoples traveling by night, the orientation was based on the stars and the moon, rather than on the sun.  Also the peoples of the tumuli follow lunar calendars, while Aztec and Maya peoples had calendars based just on Venus (Quetzalcoatl).

     

    Sorry but my coarse English does not permit to be more detailed on such a matter really without bottom.

     

     

    Da: evola_as_he_is@yahoogroups.com [mailto:evola_as_he_is@yahoogroups.com] Per conto di rouesolaire
    Inviato: gi
    ovedì 14 marzo 2013 22:44
    A: evola_as_he_is@yahoogroups.com
    Oggetto: [evola_as_he_is] Re: An Eye is Not Always an Eye (was:Image and video manipulation in the occult war)

     

     

    1) The Venus star above the crescent moon: http://www.youtube.com/watch?v=wTklFd92SGQ

    2) As it is impossible to describe genuinely the spiritual world with words, a parallel with the material world can be enlightening. Indeed the telluric forces are like a virus:
    - A virus is neither alive nor dead, it is "infra-living".
    - Its goal is to contaminate an organism and to destroy it.
    -To achieve this, it deceives – most of time only for a certain period of time but some viruses (generally the deadly ones) are never eliminated by the organism - the immune defenses of the organism.
    -It can mutate to better hide itself.
    -it contaminates a cell by injecting a parasite DNA sequence into the cell's DNA, like the telluric forces try to inject themselves into the Aryan solar spirit to contaminate it.

    3) The "Star of Ishtar" which can be seen on one of the artifacts shown here: http://groups.yahoo.com/group/evola_as_he_is/message/1654 is in fact an Amerindian symbol meaning "hope" (hope being a feminine mix between a "value" and a feeling. In fact, hope is to will what sincerity is to honesty/rectitude.)
    http://www.warpaths2peacepipes.com/native-american-symbols/hope-symbol.htm
    So, the "Star of Ishtar", with the "eye" and the "eye in the hand" – and probably some other feminine symbols - are found both in Asia and America, among feminine subraces.
    There is also the "eye medicine man" symbol: http://www.warpaths2peacepipes.com/native-american-symbols/eye-medicine-man-symbol.htm
    The hexagram and moon crescent: http://www.warpaths2peacepipes.com/images/apache_hidepainting.jpg

    4) The eye is a common symbol in Aztec.
    http://alex-sk.de/mirror/sunstone.html
    http://www.ancientscripts.com/images/aztec_days.gif
    I found a study about the eye symbol in Aztec but can't track it back.

    5) The coat of arms of USSR is the same symbol as the pentagram and moon crescent that are inside the Sufi's winged heart. Indeed, the pentagram is still present at the same place but the moon crescent has been replaced by two rounded wheat beams.
    http://commons.wikimedia.org/wiki/File:Coat_of_arms_of_the_Soviet_Union.svg
    This symbol (the pentagram and moon crescent) is present on numerous Asian and African flags and the USSR flag itself is close to it.

    6) The eye is not only present on the "Declaration of the Rights of Man and of the Citizen" (http://upload.wikimedia.org/wikipedia/commons/6/6c/Declaration_of_the_Rights_of_Man_and_of_the_Citizen_in_1789.jpg , notice the two women) but on the Phrygian cap too as a "cockade".
    http://www.rmg.co.uk/upload/img_200/NAN0002.jpg
    http://a51.idata.over-blog.com/305x363/2/81/23/57/94.jpg
    http://media.paperblog.fr/i/252/2521692/symboles-republique-devise-L-1.jpeg
    http://ecjs.stlouis.stemarie.chez-alice.fr/symbol.gif
    Originally, the Phrygian cap was devoid of cockade. Moreover it is worn by "Marianne", the republican mother goddess (http://njclh.free.fr/images/marianne_buste.jpg). However, the Phrygian cap was worn by freed slaves in Roman Empire and Marianne is an allegory of french republic whose motto "liberty, equality, fraternity" is peculiar to the goddess (http://www.marxist.com/images/stories/art/delacroix_liberty.jpg).

    7) The study of Vatican could be of interest: http://www.linternaute.com/voyage/les-plus-belles-photos-de-rome/image/5778.jpg
    http://www.freemages.fr/album/italie/st_pierre_dome.jpg
    http://upload.wikimedia.org/wikipedia/commons/6/6a/Basilique_Saint-Pierre_Vatican_dome.jpg

    8) The document which can be found on this webpage: http://www.womanthouartgod.com/wmbondfreemasonry.php is in fact only an extract of a book written by William Bond which is available here:
    http://fr.scribd.com/doc/3103614/Freemasonry-and-The-Hidden-Goddess
    http://masongoddess.blogspot.fr/

    For more: http://www.blogger.com/profile/05285178912635949559
    http://fr.scribd.com/wabond/documents

    9) Another book which could be of interest.
    http://www.cityofthegoddess.com/
    http://www.freemasonryontrial.com/freemasonry-and-the-goddess.html

    10) That http://funeral-wreaths.tumblr.com/image/16420076132 is a rosicrucian symbol is proven by the fact that this drawing is on the cover of a book whose title is "Cent Emblèmes Rosicruciens de la Société de Jésus de la Vraie Rose-Croix ou Cent Emblèmes Sacrés.": http://www.sesheta-publications.com/Collection-Rose-Croix-Collectanea-Rosicruciana.html

    Solarization of the goddess is true in rosicrucianism – and probably elsewhere: http://upload.wikimedia.org/wikipedia/en/7/7c/SophiaMystical.jpg
    In Alchemy: http://thephysicalisanillusion.tumblr.com/post/44080219647

    Some other eyes in rosicrucian drawings: http://alchemyfraternitas.ru/media/photologue/photos/Rosenkreuzer_83.jpg
    http://orderroseandcross.org/adam-mclean-valientine-weigel-large.jpg
    http://25.media.tumblr.com/tumblr_ljxqg2Brfx1qac76ro1_400.jpg
    In this rosicrucian drawing, the eye is replaced by the rose: http://www.sria.org/rosicrucianprayer.htm
    In this hermetic drawing, the rose replaces the "G" letter: http://orderroseandcross.org/adam-mclean-ich-hermes-large.jpg
    In this rosicrucian drawing, eyes are present on pages of the Bible (notice the snake): http://orderroseandcross.org/rosicrucian-symbolism.html

    The snake (a telluric animal) is visible on some hermetic and alchemic drawings.
    Alchemy: http://25.media.tumblr.com/tumblr_lplbw2HC111qemdv4o1_400.jpg
    http://25.media.tumblr.com/tumblr_m50uq5IKv21r838pro1_400.jpg
    Hermetism: http://orderroseandcross.org/adam-mclean-valentine-key2-large.jpg
    http://orderroseandcross.org/adam-mclean-atalanta-fugiens10-large.jpg

    In this alchemic drawing which has already been posted, a fish – instead of an eye – is present in the hand, what is relevant to note is that the fish has the symbol of the goddess on it (the Venus symbol with the moon crescent above it): http://24.media.tumblr.com/tumblr_mdtzkziSya1qkvy66o1_400.jpg

    11) http://www.davidicke.com/forum/showthread.php?p=1060256542
    A grotesque caricature of Roman symbols by judeo-yankee (notice the "eye" under the eagle): http://img20.imageshack.us/img20/4999/bicentdollar.jpg

    12) http://fr.wikitranslation.com/en/Ai-Khanoum#Artifacts
    http://www.livius.org/a/afghanistan/ai_khanum/ai_khanum_cybele1.JPG
    On this goddess artifact:
    - The moon crescent and a star (apparently not a pentagram) stands for the goddess (so this symbol is definitely those of the goddess).
    - Cybele is seen from the front and in profile. From front her head is surrounded by peaks, exactly like those of the masonic statue of liberty: http://shedexpedition.com/wp-content/uploads/2012/10/statue_of_liberty_.jpg
    So the statue of liberty is Cybele.

    13) The semitic byzantine empire adopted the crescent moon and the star:
    http://img687.imageshack.us/img687/3821/byzantiumcoinsibce.jpg
    http://img594.imageshack.us/img594/7834/48838.jpg
    For more: http://www.encyclopedia.com/video/37YxaSfFse0-islamic-turks-stolen-star-moon.aspx

    14) On the tape that the phoenix has in its beak, on the one dollar bill, it is written "E. PLURIBUS UNUM" which means "One from many", it confirms what I have written at http://groups.yahoo.com/group/evola_as_he_is/message/1620 .
    This motto is written below the statue of freedom
    http://upload.wikimedia.org/wikipedia/commons/8/89/Capitol_dome_lantern_Washington.jpg
    Notice the pentagrams: http://upload.wikimedia.org/wikipedia/commons/9/93/Freedom_1.jpg

    15) "Therefore, Anatolian Muslims respect and love the Virgin Mary just as Christians do, due to this very strong historical and cultural heritage. Hazard Fatima has the same status with the Virgin Mary for the Muslims of Anatolia. The goddess culture, which comes from the matriarchal period, has been continued through to today, by evolving and blending its existence into the more modern religions of today.
    There is a formula of belief in Anatolia, which states:
    Cybele = Artemis = Virgin Mary = Hazrat Fatima
    Indeed the Virgin Mary's house in Ephesus, which is the place of pilgrimage for Christians, was established on a hill overlooking to the temple of Artemis, which was not a coincidence.
    The Virgin Mary's house is also a sacred place for the Muslims of Anatolia. Muslims visit the house, to worship, make votive offerings, make wishes and ask for healing."
    http://www.hamsameaning.com/hamsa_christianity.html

    `Des preuves archéologiques démontrent qu'une main dont les doigts pointent vers le bas utilisée comme amulette de protection dans la région est une pratique plus ancienne que les croyances monothéistes. On croit qu'elle aurait été associée à Tanit, la déesse suprême de Carthage (Phénicie) dont la main (et parfois la vulve) était utilisée pour protéger contre le mauvais oeil. `
    `Pour le Qat Istar, aussi connu sous le nom de Qat Inanna, ou "Main d'Ishtar (Main d'Inanna), nous ne possédons pas de base textuelle ou scriptuaire des Akkadiens, Sumériens et Mésopotamiens qui l'ont utilisé. Néanmoins, il avait une signification particulière et avait le pouvoir de guérir les maladies. [...] Similairement, il y avait une série de symboles anthropomorphiques représentant la protection divine, tels que la Main-de-Vénus (ou Aphrodite) et la Main-de-Marie qui protégeaint du mauvais oeil et protégeaient les femmes en général, en les rendant fertiles, leur permettant des grossesses à terme, permettant aux nourrices d'allaiter et donnant force aux plus faibles. De plus, il semble y avoir un lien entre la Main-de-Fatima et la Mano Pantea, ou la Main-de-la-Toute-Déesse, qui était originellement une amulette égyptienne à deux doigts, pour Isis et Osiris. Cette amulette invoquait les esprits protecteurs des parents. Dans le cas de la Mano Pantea, le pouce devait représenter Horus ou "l'enfant", et le premier et le second doigt représentaient distinctement Isis et Osiris.'
    `Les tombeaux des femmes musulmanes arborent ce symbole. L'amulette en forme de main peut être appelée "Main de Marie" dans la tradition chrétienne, "Main de Fatima" pour les musulmans, "Main d'Ishtar" pour les Babyloniens et "Main d'Isida" pour les Égyptiens. À l'origine, tous ces personnages sont liés à la grande déesse néolithique.'
    http://webcache.googleusercontent.com/search?q=cache:OXTVh4SmK0QJ:www.celebrerladeesse.net/la-hamsa-ou-main-de-fatima.html&hl=fr&strip=1

    16) About « Jesus » : http://www.carotta.de/subseite/texte/articula/Orpheos_Bakkikos_en.pdf
    http://derejhashem.wordpress.com/2011/06/12/yehoshua-orfeo-y-la-cruz/
    http://books.google.fr/books/about/Orph%C3%A9e_crucifi%C3%A9.html?hl=fr&id=0R_WySjf1OoC
    http://rogerviklund.wordpress.com/2011/05/07/o%CF%81%CF%86eoc-bakkikoc-del-8-%E2%80%93-a-brief-summary-in-english/

    P.S.
    It is possible to do image search with "google images" by dragging an image to the search field.

    --- In evola_as_he_is@yahoogroups.com, "Evola" <evola_as_he_is@...> wrote:
    >
    > We are thankful to members for providing us with such a high quality material, which further illustrates the protean, multifaceted, shifting, almost elusive, character of the symbols (the form of manifestation taken by telluric forces) peculiar to the Goddess, which in turn only reflect, unsurprisingly, the mutable and "adjustable" feminine nature.
    >
    > Of course, the stylised eye of a face seen from the side recalls a waning crescent. The eye of Inanna looks straight ahead, and so do Horus' and, in most of its representations, the "eye in the pyramid", unlike the Euro sign and the Arabic waxing crescent : a sidelong look is given here. Note that "The European Commission considers the process of designing to have been internal and keeps these records secret. The eventual winner was a design created by a team of four experts whose identities have not been revealed." (http://www.blurbwire.com/topics/Euro_sign::sub::Design)
    >
    > J. Evola's definition of the notion of occult war, as belonging, "so to speak, to a three-dimensional vision of history, in which history is not considered superficially, according to two dimensions, those of the apparent causes, events, and leaders, but in depth, according to its third, underground, dimension, which contains decisive forces and influences often irreducible to the simple human element, be it individual or collective", extends to the symbols used by these subversive forces, in a sense, as we have shown, that a symbolic form may hide another, which is closely linked to it in terms of shape, and, therefore, of wave-length, that is, refers to the same principle, or, as we would rather put it, since a "principle" is usually perceived as an abstraction, to forces of the same nature. The binary brain of the "modern man" has lost the ability to relate immediately, intuitively, yet clearly, related shapes and forms to each other, which, throughout the ages, have been the hallmark of movements subversive to the culture and the civilisation of peoples of Nordic stock, whether the apparent leaders of such movements were aware of it or not.
    >



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