As my extensive exploration into the Masonic iniatory ceremony (little) known as « riding the goat » is drawing to a close, an exploration that was motivated by the will to check the accuracy of http://tracytwyman.com/the-goat-faced-wildman-excerpt-from-baphomet-the-temple-mystery-unveiled/, which, whether or not it was stimulated by some sort of unassumed or unfulfilled rape fantasy, turned out to contain some Wikipedia-inspired fanciful inaccuracies (Wkipedia has it that « (t)o punish the donkey for spoiling his opportunity, Priapus bludgeoned it to death with his gargantuan phallus... », without providing any reference. Neither Ovid nor Lactantius [« Divine insitutes »] say that Priapus « raped the donkey to death » in retribution, nor do they say that the donkey’s intervention « (caused] the loss of his erection ») - as it is thus coming to an end, two « curiosities » are to be mentionned here. What is curious about them, and especially about the second one, is that they have not been quoted by any historian of Freemasonry, let alone by Guénon or Evola..
The first book is entitled « Architectural Illustrations and Account of the Temple Church » (1838) (http://www.themasonictrowel.com/ebooks/freemasonry/eb0042.pdf), by the English painter and architect Robert William Billings (1813 –1874) ; it is a not unsuccessful attempt at proving, on the basis of symbolic evidence found at the Temple Church, London, that Templars were Gnostics, and that their « secret doctrine » ultimately derived from the « mysteries of Isis ». This thesis, that was upheld by various historians of the Order of the Templars of the early XIXth century, was later discarded and is now derided in Academia.
« La franc-maçonnerie soumise au grand jour de la publicité, à l’aide de documents authentiques » (1866) (https://archive.org/details/LaFrancMaonnerieSoumiseAuGrandJourDeLaPublicittLaideDeDocumentsAuthentiquesVol11866 – the second volume does not seem to have been published), by Armand Neut ((1812-1884), a Belgian journalist and essayist, proves successfully, on the basis of documents relating to XIXth century Belgian Freemasonry such as speeches and newspaper articles. that (high-ranking Freemasons believe, or want people to believe that) : « I. The religious doctrines of Masonry are but the continuation of the Egyptian doctrines, the deposit of which was preserved by the priests of the temples of Isis. - II. These doctrines were transmitted to the Masons by the Templars, who, to escape persecution, disguised themselves under the Masonic apron. - III. The history of the Order of the Temple and the torture of Jacques Molay are represented, among Masons, under the double allegory of the Temple of Solomon and the story of Hiram. Hence the severe prescriptions of silence. - § IV. There is evidence that the religion secretly practiced by the Grand Masters of the Knights Templar and a number of intimate initiates comes from Egypt and that Masonry goes back to the mysteries of the Good Goddess » (p.38) Nothing less. Incidentally, Pike himself, whose doctrine has however nothing to do with Gnosticism, ackowledges explicitlsy some of these points in « Morals and Dogma ».Despite numerous false and fanciful assertions, some worthwhile remarks are made about the link between the templars and the goddess at www.femaleilluminati.com/article-2.html. Among them:
Suggestively, it was at the behest of Mathilde that the first "Holy Grail" epic was composed by Chretien de Troyes, who received his commission from the Duchess. The Grail was brought from Jerusalem to France by Hugh de Payens who, after allegedly finding it beneath Temple Mount, gave it and other treasures into her keeping. Of course the Grail is simply a clever metaphor for the Female Illuminati and for the transmission of their power from east to west.
The most detailed Grail legend comes from Parzifal, by medieval writer Wolfram von Eschenbach. According to Eschenbach, the details of the story came originally from a Spanish Jew called Flegetanis. This character was more than likely a descendant of the Benjaminite branch of the Merovingian dynasty, and as such was almost certainly an acolyte of the Female Dragon Court.
The word grail comes from gradus, meaning "by degrees," "stages" or "steps." This alludes to the grades of a Masonic-type society. This is the society headed by Mathilde and many others before and after the era of Chretien de Troyes. A secondary meaning of the word is Sang Rael or "Holy Blood," again a reference to the Sisterhood. The word gradus was later wrongly rendered cratis meaning basket or container, hence the connection with a cup. Suggestively, on the architecture of the north porch of Chartres Cathedral (dedicated to the female), we see the figure of the Old Testament demigod Melchizedek holding a chalice. Melchizedek is a cryptic reference to Akhenaton and the order descended from his progeny. We see then that the true significance of the so-called Holy Grail is to be primarily understood in terms of a hierarchical secret society, and secondarily as a container of blood. We also see the significance of the Templars as supposed keepers of the "Grail." It doesn't pertain to Jesus, as so many falsely believe. It is simply the vessel containing the severed "head" or castrated penis of the son-lover-knight-champion in his mother-goddess's service.
In history, among these occult societies, physical rites of castration were commenced at special astrological times, particularly in the month of August. Astro-Theologically, the Grail symbolizes the movement of the sun, moon and planet venus into Virgo - sign of the Virgin. A constellation known as Crater (Chalice) is found in the sign of Virgo, which was and is ritually significant to the Sisterhood and related orders. Therefore when the sun passed into Virgo, auspicious and bizarre rituals and layings were performed. The marriage of Cana refers to this astrological period, and many of the imposing structures in Washington DC and Philadelphia were laid during this period. Documents such as the Declaration of Independence were also either commissioned, signed or made public when the sun or venus moved into Virgo, thereby signifying them as being under the auspices of the goddess.
The keepers of the Grail were female, for good reason. Although there is little written about the women behind and beside the great thrones of Europe and Britain, and even less said to be believed, it is time to pay greater attention to the role of the mothers, wives, daughters, sisters and female patrons who helped shape history as much as the men they bore, nurtured and inspired. On a symbolic level we've been told loudly enough that Queen Helena was the true founder of Christianity. Her Church of the Holy Sepulchre in Jerusalem stood on the site of a temple of Venus. It was Margaret of Scotland who took a shine to William St. Clair and gave his family the land on which Rosslyn Chapel was built. It was Mathilde of Saxony who patronized the Cistercians. It was Mathilde of Portugal who co-commissioned the Grail Legend. On and on it goes. The Templars venerated Mary Magdalene and St. Euphemia. The patron saint of the Knights Hospitaller was the Lady Philermos.
Bernard de Clairvaux was devoted to the Virgin Mary and bore the personal title ”Knight of the Virgin.” The skull worshiped by the Templars was that of an unknown female not a male. Even the long hair of the Templars connotes the female. Godfrey de Bouillon was crowned monarch of Jerusalem in the oldest Templar abbey in Jerusalem, known as the Mother of all Churches. The full name of the Order of Sion was "Order of Our Lady of the Mount of Sion."
There were also six queens of Jerusalem during the period of the crusades, including: Melisende (eldest daughter of Baldwin II), Sibyllia (mother of Baldwin II), Isabella (daughter of Sibyllia) and Maria of Montferrat (daughter of Isabella). At least three of these reigning queens were Aleramici Franks or Merovingians. Isabella I was a scion of the Ibelin dynasty, which like the related Anjou family, were blood-related to the Houses of Lorraine, Hapsburg, Valois, Savoy, Bourbon, Saluzzo and Guelf, etc.
As I show in the Female Illuminati program, in ancient Egypt and other lands, women were initiated into, and commanded, the highest levels of the most illustrious secret societies, not men. To rise within the female order, a male acolyte had to offer up his phallus, hence the symbolism of a cup containing "blood."
…a great head of gilded silver, most beautiful, and constituting the image of a woman. Inside were two head-bones, wrapped in a cloth of white linen, with another red cloth around it…The bones inside were those of a rather small woman - (Inquisition Records describing the Templar's chief icon)
Brother William of Arreblay...testified that he had often seen on the altar in the Temple of Paris a silver head, and the leading officials of the Order worshiping it - Helen Nicholson (The Knights Templar)
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The Templar's HQ was situated nearby at the Temple Mount (site of the second Temple of Solomon). Suggestively, the Church of the Holy Sepulchre was actually constructed by Queen Helena, mother of Emperor Constantine the Great, after 325 AD. Her pilgrimage to the east is most interesting, given that the site for the new Christian Church was actually built over a temple dedicated to Venus. We can deduce that the Queen met with priestesses of the Cult of Venus, possibly to be initiated by them and made into their agent despite her Christian facade. (Her son Constantine was a member of the Sol Invictus cult.) Indeed she may already have been one of their numbers before visiting Jerusalem. In this case Christianity a la Helena and Constantine was really a blending of the new with the old, with the approval of the Cult of Venus. It is interesting that according to Christian legend, Helena personally discovered and owned a piece of the original cross upon which Jesus was crucified. As preposterous as the tale is, in symbolic terms it means that Helena, not her son Constantine, was the true founder of the Christian religion. In any case the Templars who later frequented the "Church of Helen," and named their order after it (her), might have been initiates and agents of the earlier sect. (The name Helen or Helene is akin to Selene meaning "moon," and also connotes a flaming torch, another major goddess symbol.) A domed temple appears on Templar coins and insignia, along with the orb and cross which make the symbol for the planet Venus. Their black and white flag and other emblems connote a dual allegiance and tradition. I strongly believe that women central to Merovingian and Templar history - such as Mary Magdalene and Mathilde of Lorraine, etc. - were, like Queen Helena, priestesses of this elusive Luciferian Cult of Venus, operating behind the elite Gaonim and under the pseudonym Order of Sion. Male orders such as the Templars serve simply as their external operatives.
The survey so far has shown that contemporaries and near-contemporaries were not sure when the Order of the Temple began, or why it began, or who was responsible for its beginning - Helen Nicholson (The Knights Templar: A New History)
The Cistercian Order, formed by Bernard de Clairvaux, was the monastic wing of the Templar Order. The Cistercians still exist today. The Templaresque Rite of Strict Observance, formed in Germany by Baron Karl von Hund, after the expulsion of the Stuarts from Britain, takes its name from the earlier Templar-Cistercian Order of Strict Observance. It is difficult to find a Masonic tradition not permeated with Templar motifs, and even more difficult to find a male symbol employed by Templars and Masons.
The system of Freemasonry to which Hund was introduced - a further extension of the Scottish Rite - was subsequently called Strict Observance. Its name derived from the oath it demanded, an oath of unswerving, unquestioning obedience to the mysterious "unknown superiors." And the basic tenet of the Strict Observance was that it had descended directly from the Knights Templar, some of whom had purportedly survived the purge of 1307-14 and perpetuated their order in Scotland - Baigent, Leigh, Lincoln (Holy Blood, Holy Grail)
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The Cistercian-Templars also funded the comparatively less known secret society known as The Grange, which operates behind religion and government in the United States. The Grange is an elusive order headed by members of the Female Illuminati, known to insiders as the "Venus Families" or "Venus Bloodline."
The floor of the United Grand Lodge of England in Great Queen's Street London. An appropriate street name, to say the least. The lodge has stood on this spot since 1775.
The United Grand Lodge of England developed from the merger of two important lodges - the Grand Lodge of England and the Antient Lodge, with strong but downplayed connections to Ireland (and probably connected to the elusive Tironensian Order). The Antient Lodge was formed in 1751 to rival the Grand Lodge's brand of Masonry which arose during the reign of the Hanoverian royals (the so-called "Black Nobility"). Originally, the Antients believed that Grand Lodge Masons has perverted the tenets of Freemasonry, considering themselves to have preserved the original secrets and intent of Masonry in their so-called Royal Arch Degree dating back to Irish Masonry. Royal Arch Masonry became popular, especially in America. Interestingly, the Antients attached a great deal of importance to John the Baptist, whose festival day (June 24th) happens to coincide with the Summer Solstice. The reason for this is because, according to arcane lore, John was first married to Mary the mother of Jesus. They had their own son, Josephes, adopted by Jesus after John's arrest and execution. In this context, Josephes is the son of the Matriarch, the sacred "Virgin" representing the female Dragon Court.
In 1813, the Grand Lodge of England, under the control of the Hanoverians, and the Antient Grand Lodge of England merged, forming the United Grand Lodge of England, headquartered in London.
In our opinion, Antient Masons were, like the Tironensians, a branch of the Knight Templar organization, with its emphasis on the importance of John the Baptist and its Royal Arch and Mark Masonry degrees and associated rites. As said, John the Baptist is a clever cover for the female Dragon Court that conceals itself behind Templarism and Masonry.
…after the new Lord Derwentwater resigned from his position in this Jacobite Masonic system, Templarism (under cover of the Stuart cause) "boldly came forward and claimed to be not merely a part of Masonry but the real Masonry, possessed of superior knowledge and entitled to greater privileges and the right to rule over the ordinary, i.e., Craft Masonry (Father Clarence Kelly quoting Nesta Webster)
Irish secret societies, such as these, preserve the more ancient Culdean system which, from behind a Christian veneer, cannibalized and repackaged the earlier Druidic or Aryan mystical traditions. The Culdean monks were the foremost tutors of the Merovingian Kings and Templar nobility. This all-important western connection is explored in depth in my books The Irish Origins of Civilization.
Allegedly the nine tail feathers on the eagle which emblazons the Great Seal of the United States of America symbolize the nine original Templars. This is not as far-fetched as it seems, since the number thirteen - a key Templar number - appears numerous times on the one dollar note (see program). On one level we see the arrows as representative of the Templars and the olive branch of the Cistercians, the two branches of the super-secret order, military and monastic. The arrows may also represent the age-old quest for vengeance that drives the orders we speak of. Their new order of the world must replace their lost thrones in Egypt. The motto around the eagle's head - From the Many One - also iterates this methodology and denouement. (See program for a complete analysis of the Great Seal.)
The Templar seal depicted the two knights riding a single horse. The reverse of the seal depicted the Dome of the Rock, on Temple Mount in Jerusalem, a few hundred feet west of where the legendary Temple of Solomon allegedly once stood. Temple Mount was home to the Templars for approximately seventy years. This is why mountains, mounds, hills and hillocks are used as symbols by Templars and their scions. Consider places such as Shooter's Hill, Capitol Hill and Camp David, the Grassy Knoll, as well as names such as Stormont, Claremont, Piedmont, Montferrat, Montagu, Mountbatten, Montrose, Mountjoy, Montgomery, and so on.
The Templar crest shows two fair-haired female angels on either side of the shield. The shield, helmet, belt (garter) and maidens cryptically refer to the Sisterhood. The supposedly Protestant Order of Mark Masons (headed by Prince Michael of Kent) have a crest with red crosses and twin towers. The tower is another seminal female symbol. The goddess name Astarte means "High Tower." Mary Magdalene's name comes form Magdala meaning "tower" in Aramaic. At the top of the crest we see a crown, and atop the crown we see an orb and cross, the astrological symbol for the planet Venus. This symbol is known as the Sovereign's Orb. It is not a Christian symbol. The fleur-de-lis on the crown and bottom of the garter represents Mary and the Sisterhood of which she was once the head. The red cap within the crown is known as the Cap of Maintenance. This alludes to the fact that all monarchs and sovereigns are merely stewards or placeholders. They maintain dominion until the return of the banished heretic king and pope Akhenaton. A secondary reading of this symbolism pertains to the gradual establishment of a Masonic global super-state.
Templar membership is by invitation only. Candidates are required to be Master Masons, Royal Arch Masons, and to believe in the Christian Holy Trinity. Knights Templar meet in Preceptories. The Order is administrated from Mark Masons' Hall, London; members may also join the Knights of Malta and/or the Knight Templar Priests - Wikipedia Online Encyclopedia (Entry on Masonic Bodies)
Elizabeth I holding the Scepter and Sovereign's Orb. The latter is the astrological symbol for the planet and Cult of Venus.
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The helmet is actually a female symbol denoting the goddess Minerva, also known as Pallas-Athena. Note how the ring of stars on a blue background resembles the emblem of the European Union. The crescent is not Islamic and does not represent the moon. It represents the goddess Venus. The planet Venus has two phases, appearing as the morning star and evening star. The ministers and acolytes of the Cult of Venus, or Female Illuminati, employ the crescent, horse, owl, helmet, apron, garter, belt, spear, tower, red rose, red cross, letter G, and other symbols to denote their tutelary goddess. The Masonic apron, like the gloves, come directly from the Templars. Templars were forbidden to remove their aprons, even while bathing. Allegedly, it symbolized their "celibacy." However I prefer to believe that it represented their ritual (or on occasion physical) castration and obsessive devotion to the secret Sisterhood and tutelary goddess Venus.
It doesn't get more blatant than this. From a frieze in the Supreme Court Building in Washington DC, we see Minerva dictating the US Constitution. (Artist William Wetmore Story). Notice that she wears the helmet. It isn't a masculine symbol as we normally conceive it. We find goddess symbols everywhere in the centers of power in the US, from the Statue of Liberty to the Oval Office.- Tio be sure, Tsarion is one of the very few "conspirationnists" who is not into copying and pasting, and whose vocabulary exceeds seventy-five words. Credit must be given to him for having introduced the "woman question" into those most narrow-minded circles.You may want to listen tohttps://www.youtube.com/watch?v=wcLE_gq37Hw (from 27:00 or so onwards), in which it is rightly emphasised, among other things, that the word" virgin" "is the most misinterprated word you could ever […] come across" (see "Metaphysics of Sex" for an accurate rendering of the word); His sensitivity to the peculiar punning quality of the English language, along the lines of McLuhan, is also noteworthy.
"In tracing the development of the worship of Artemis from the savage to the more settled and civilized period, we may first notice that she comes to have some connexion with agriculture and the breeding of the domestic animals. The goat was the animal most commonly used in her sacrifices, and it is possible that she acquired some of her cult-titles from it ; the local legend of the city ...... in Achaea connected the name with the goats to whose horns the natives on one occasion attached torches and thus scared away the invading army of the Sicyonians ; a temple was then founded near Aegira to Artemis '......., on the spot where the fairest she-goat, the leader of the flock, rested on the ground, the influence of the goddess being supposed to be working in her favourite animal.
In Sparta, as has been mentioned above, the custom prevailed of the king sacrificing a goat to Artemis in front of the army before charging the enemy, and we hear frequently of the great annual sacrifice in Attica of five hundred she-goats as a thank-offering to the goddess for the victory of Marathon."Lewis Richard Farnell (2010). The Cults of the Greek States. Cambridge University Press., p. 449.""The sacrificial importance of the goat [Artemis'] worship can scarcely be illustrated by any surviving monuments of the state-religion ; for we cannot regard as such the silver medallion from Herculaneum presenting the head and shoulders of Artemis and two goats bounding above her shoulders. A late coin of the Arcadian Kaphya, where Artemis ........, a title believed to refer to the goat-goddess, was worshiped, shows the figure of the goddess merely bearing two torches, and does not support that interpretation."Idem, p. 528."We find also a worship of Aphrodite ' ...... on the Attic coast, connected by the legend with Theseus and his voyage to Crete : the Delphic oracle has advised him to make Aphrodite his guide and to invite her to be his fellow-voyager : he was therefore sacrificing to her a she-goat on the shore, which was suddenly transformed into a male, so that the goddess was henceforth known as Aphrodite who rides on the goat. The story does not fully explain the name, and is useful merely as indicating the association of Theseus with Aphrodite and of the goddess with the male animal ; and it is the Oriental Aphrodite that the monuments which represent '....... seem to point. Her close connexion with Crete, which the Attic legend makes clear, may help to explain the prominence of the goat in the sacred Cretan legend concerning the rearing of the child Zeus : that is, we should understand the meaning of the goat as the foster-mother, if we recognize in the Cretan Aphrodite a divinity closely akin to Cybele, and in the Cretan Zeus a Zeus-Dionysos.Idem, p. 663."The worship of Artemis at Munychia, in its primitive form at least, seems to have had no reference to the sea.. And it is unnecessary to regard the Artemis at Aulis as a maritime goddess merely because she sent contrary winds ; for, as has been often remarked, any deity or any departed hero might do this : and the legend of the anger of Artemis against the Atridae is connected with an incident of the chase.. In certain cases these titles may have come to her by a natural process of development ; for as the tribes of shepherds and hunters who worshiped her became seafarers, the goddess herself might be supposed to take to the sea."Idem, p. 431.PS. Greek characters have been omitted in the above quotes (see the original pages in the book).PPS. See also the extensive footnoting on said pages.PPPS. Data on maritime cults appears at several places : http://www.native-science.net/Ship.Mythical.htm ; http://www.migration-diffusion.info/article.php?id=169 (see pdf) ; https://journals.openedition.org/kernos/1567 ("The goddess’ temples were often coastal not because they were places where “sacred prostitution” was practiced, but rather because of Aphrodite’s association with the sea and her role as a patron of seafaring.") ; https://www.vr-elibrary.de/doi/abs/10.13109/wdor.2013.43.2.179#.W7Jwy9czbMx is unfortunately not freely available ("Devotion to the goddess Tanit/Tinnit, a permutation of ‘Aštarte, took place in Mediterranean cave sanctuaries and on Phoenician ships. Employing both material and textual evidence, it is argued that her worship at sea and at port required a degree of religious competency of seamen that served as crew and combatants on trading vessels and military vessels, respectively. With the Phoenician priesthood centered in cities, coastal inhabitants would have depended on part-time officiants to supervise and perform certain rites. Reasons for the lack of mention in the literature of this non-elite class are proposed.").PPPPS. "The Origine of Pagan Idolatry: Ascertained from Historical Testimony and Circumstantial Evidence" by George Stanley Faber (Vol.. 1 / Vol. 2 / Vol. 3 ) deserves a special mention, while especially the second volume is most relevant to the maritime theme. Faber's background is given in The Rise of Modern Mythology, 1680-1860 , p. 397, as well as at https://en.wikipedia.org/wiki/George_Stanley_Faber.Van: evola_as_he_is@yahoogroups.com <evola_as_he_is@yahoogroups.com> namens evola_as_he_is@... [evola_as_he_is] <evola_as_he_is@yahoogroups.com>
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Onderwerp: [evola_as_he_is] Re: Riding... the GoatTio be sure, Tsarion is one of the very few "conspirationnists" who is not into copying and pasting, and whose vocabulary exceeds seventy-five words. Credit must be given to him for having introduced the "woman question" into those most narrow-minded circles.You may want to listen tohttps://www.youtube.com/watch?v=wcLE_gq37Hw (from 27:00 or so onwards), in which it is rightly emphasised, among other things, that the word" virgin" "is the most misinterprated word you could ever […] come across" (see "Metaphysics of Sex" for an accurate rendering of the word); His sensitivity to the peculiar punning quality of the English language, along the lines of McLuhan, is also noteworthy.www.youtube.comAug 2014 For event information visit: Also Check out: - . Aug 2014 For event information visit: Also Check out: - . MTSAR Conspiratorium on Facebook MTSAR FO
- One of the most famous parts of « Understanding the Media » is that in which the return to orality as the privileged means of communication, favoured or rather determined by the widespread use of electronic media (unless electronic media are the actual « users »), and, in the last analysis, by electricity, is compared to a return to « Africa within » (McLuhan 1994, p. 111). Conversely, It is claimed that « all preliterate groups in the world have begun to feel the [...] energies that are released by the onset of the new literacy and mechanization », energies that, besides, are termed « explosive and aggressive » (p. 316) (here, it is perhaps useful to remind that literacy among « preliterate groups in the world » was first promoted, and is still promoted, aggressively, by the Church). As far as blacks, an increasingly number of whom are literally « out of Africa », they woud thus be « out of Africa » mentally, too, in a sense that literacy would have made them strangers to themselves.That electronic media are the ultimate extension of man is implied by the following statement: « By putting our physical bodies inside our extended nervous systems, by means of electric media, we set up a dynamic by which all previous technologies that are mere extensions of hands and feet and teeth, will be translated into information systems. Electromagnetic technology requires utter human docility and quiescence of meditation such as befits an organism that now wears its brain outside its skull and its nerves outside its hide. We must serve our electric technology with the same servo-mechanistic fidelity with which we once served our coracle, our canoe, our typography, and all other extensions of our physical organs. But, there is a difference here. Those previous technologies were partial and fragmentary. The electric is total and inclusive. An external consensus or conscience is now as necessary as private consciousness. With the new media, however, it is now possible to store and to translate everything; and as for speed, that is no problem. No further acceleration is possible this side of the light barrier » (ibid., p. 57).More exactly, electronic media seem to be the ultimate extension of the white man, as it seems that coloured people, and, in particular, blacks, have them « under their skin ». Quoting from « The Ankh: African Origin of Electromagnetism » (1993, p. 55-7), by Nur Ankh Amen: « Melanin is a pigment in the skin of people of color, which is produced by melanocyte cells, and deposited in the epidermal tissue. Melanocytes are neuron-like cells which produce melanin and numerous proteins in response to electromagnetic radiation.The production of melanin starts with the conversion of tyrosine by the enzyme tyrosinase to 5, 6- iodole quinone.Tyrosinase is a copper-containing enzyme which catalyzes the conversion of tyrosine (an amino acid) and stabilizes the chemical stucture of 5,6-iodole quinone conformation of the melanin structure.The metal ion acts as a backbone for the polymer structure of melanin, resulting in a metal-organic complex. The amino acid forms peptide-linked formations with the metal ions. The ligands are attached at the nitrogen atoms.The proposed structure resembles a swastika {it probably does to someone on acid], with the interactions occurring between the central Copper (Cu) ions. This complex metal compound is the only substance in the body that qualify as a organic semiconductor.Black and brown melanin granules are oval in shape, forming a small dipole antenna. The field due to one dipole can induce a dipole in another melanin granule nearby.Melanin granules act as tiny primitive eyes, forming a large neural network structure, whose function is to absorb and decode electromagnetic waves. Neural-network computers are learning machines which are made with a number of receptors that can adjust their weights (quantitative properties) to produce a specific output.The bodies of Africans contain massive amounts of melanocytes that encode all life experiences in their melanin production, with the aim of creating an actual-reality state after death. During life, visions appear frequently and ESP is common.A representation of a higher form of life, in the superconducting body of Osiris (the mummy). The reason for mummification was to preserve the skin which contained a living neural-network of melanin. The conductivity of melanin increases with age, so Tutankhamen's mummy is more alive in the spiritual plane than our own [than our own mummy?]. Consider the difference in flammability between living green trees and coal.As a semiconductor, melanin has an energy gap. The absorption of energy is required before electrons can jump into the conduction band and make melanin conductive. An increase in conductivity increases the sensitivity of melanin to the electromagnetic world of etheric beings, astral projections and spiritual entities »You can see why his assertion that « [t]he Ankh is essential to the liberation of African peoples throughout the world » is not a figure of speech, and why, in the increasingly electronic environment in which we live, they feel like fish in the water. They may not be the only ones.The reviewer of the book, which is available at https://codigooculto.com/2016/11/es-el-ankh-o-cruz-egipcia-el-origen-del-electromagnetismo-en-el-antiguo-egipto/#axzz5CpNJKLG0).%C2%A0, claims that the author holds the view that the Ankh is a stylised externalisation of the female reproductive system, the upper, oval-shaped, end representing the uterus (which it is, indeed, in Near- and Middle-East traditional art ; see J. G. Gruhn et R. R. Kazer, Hormonal Regulation of the Menstrual Cycle: The Evolution of Concepts, p. 3 et planches p. 4 ; John G. Gruhn, Historical Introduction to Gonadal Regulation of the Uterus and the Menses, in J. B. Josimovich (éd.), Gynecologic Endocrinolog, 4e éd., Plenum Medical Book Company, New York et Londres, 2013, p. 3), the horizontal part the ovarian canal, and the vertical part the uterine canal.Nur Ankh Amen does not. Yet, the view is attractive : see https://web.archive.org/web/20190423172501/https://codigooculto.com/wp-content/uploads/2016/11/egyptian-ankh-electric-oscillator-nikola-tesla.jpg..P.- s: While I am at it, I may as well try to explain why it is only to someone who, apparently like McLuhan, has insufficient knowledge of the history of optics that « […] it seems contradictory that the fragmenting and divisive power of our analytic Western world should derive from an accentuation of the visual faculty » (McLuhan, op. cit, p. 111).Where his predecessors had merely attempted to explain the nature of light, Ibn al-Haytham (965-1039) studied its properties, particularly in relation to the problem of vision ; and this study was both experimental and mathematical (357), unlike, for example, Aristotle's physical optics, which was based on an empirical approach.The so-called « perspectiva artificialis », which was developed from the XIIth to the XVth century, where it was refined by the artist, architect, poet, linguist, philosopher, cryptographer, and priest Leon Battista Alberti, only extended the so-called « perspectiva naturalis » - itself largely derived from al-Haytham’s works on optics -, in that it mathematised the world of the senses, and particularly the way we see the world - to the point of establishing this vision as a paradigm of intelligible clarity, as a pure reflection of intelligence ; « by bringing [this] vision into the scope of a mathematised science, Alberti thereby separated it from what might be called visibility, that given, that "experience", usually the initial "experience", which is the fact of seeing with one's eyes, that common-sense evidence that seeing... is seeing. It can thus be said that Alberti took vision away from the visible with a sharp blow of a triangle. He thus invented a kind of "pure" vision, one that is purely geometric, that is to say a vision made up of points and lines, whereby, if the eye is put at the top of the system, this eye has no other content or consistence than to be the top of a triangle, no other acute (aigüe) property than that of a point at the angle of two lines, no other quality, property (vertu) or thickness than that of a simple point, which, by definition, has no thickness, no property (vertu), no quality... A vision reduced to a strict combinatorics of lines and points is what, in the seventeenth century, Desargues and projective geometry will turn perspective invention into […] » (Gérard Wajcman, Fenêtre: Chroniques du regard et de l'intime, 2002 ; see also https://elementsdeducationraciale.wordpress.com/2015/09/30/theatrocratie-3/).« […] in Alberti's geometric formula for creating the representational space of perspective, the window served as a metaphor for the rectangle of perspectival rendering, the frame of the picture plane. In De pictura, Alberti also described another framing device that, while not named as a window, functions in a similar way. The "veil" ( velo) is "a grid -like netting stretched on a frame": "It is like this: a veil loosely woven of fine thread, dyed whatever colour you please, divided up by thicker threads into as many parallel square sections as you like, and stretched on a frame. I set this between the eye and the object to be represented, so that the visual pyramid passes through the loose weave of the veil." 5 1 But while Alberti suggested the rectangular frame and planar surface of a metaphoric "window" as a device for geometrical calculation, his velo did not require the calculation of orthogonals and vanishing points. It was, instead, dependent solely on its frame and its inset quadrants as a device to "map" the three-dimensional world onto a two-dimensional plane. "This veil affords the greatest assistance in executing your picture," Alberti instructed his readers, "since you can see any object that is round and in relief, represented on the flat surface of the veil." With the velo, the artist divided the image into separate squares of a reticulated net. The Grid of Alberti's velo forms a direct antecedent to the "bit-mapped” computer screen where picture elements-pixels—are "mapped" onto digital "buts" » (Anne Friedberg, The Virtual Window: From Alberti to Microsoft, p. 38-9 ; https://djaballahcomps.files.wordpress.com/2013/06/friedberg-the-virtual-window-from-alberti-to-microsoft-2006.pdf)Does the figure (taken from Stephen B. Wicker’s must-read, Cellular Convergence and the Death of Privacy, Oxford University Press, 2013) sent in a file you should have received a few minutes ago (it has been uploaded at https://groups.yahoo.com/neo/groups/evola_as_he_is/files) remind you of something ?It is an illustration of Seven-Cell clusters in a Cellular Coverage Area.P. - s. bis : see Gérard Wachman, op. cit., for the deeper meaning, most probably unintended by Hugo, of Ruy Blas’ seemingly innocuous tirade : « Une reine d’Espagne ne devrait pas regarder à la fenêtre » (« A queen of Spain should not look through a window ») as well as for most insightful observations, unexpected from a psychoanalyst, on vision, seeing, windows, and Alberti, that dark character.P. - s. ter : Many other most perspicacious insights into similar issues are given in « Instruments de résurrection » (2010), by Thomas Dommange. « There are un-spectacular (non spectaculaires) looks, indeed. The worker can observe the operation of a machine, but he is not the spectator of the machine. He is looking for a dysfunction, that is what he gets paid for, and that is his business. That look, like that of the man who scrutinises the surroundings to find his way, is subordinate to action. In this way, man manifests his interaction. Looking is a way of taking action, of responding, of taking part in the world’s movements. On the contrary, the spectator is basically only a look, but a look that is absolutely separate from action. What makes the spectator is the exteriority of his look », which, as paradoxical as it may seem, makes - to use a term McLuhan rightly used instead of « experience », or rather « lack of experience » to describe the relation of the « electronic man » (Counterblast, 1968, p. 38) to the world - his « involvement » as introspective as possible.
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