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  • RE: [evola_as_he_is] Re: The Race of the Fleeing Man

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  • G. van der Heide
    May 23
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    This concerns mostly spelling errors or misnamings and chronological errors. Serious enough to discredit a text that contains otherwise worthwhile considerations.


    To: evola_as_he_is@yahoogroups.com
    From: evola_as_he_is@...
    Date: Thu, 23 May 2013 05:50:14 +0000
    Subject: [evola_as_he_is] Re: The Race of the Fleeing Man

     
    Could you please point at the most serious ones ?

    --- In evola_as_he_is@yahoogroups.com, "G. van der Heide" <g.vdheide@...> wrote:
    >
    > Most generally speaking we might agree with Regimbald, but the book contains some serious errors. And this goes for most texts on the subject.
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    > Far from being perfect, but still useful:
    > http://www.scribd.com/doc/8769443/The-Controllers-of-Art
    > http://www.scribd.com/doc/75554874/INSIDE-the-LC-Laurel-Canyon-and-the-Birth-of-the-Hippie-Generation
    > http://www.theoccidentalobserver.net/authors/Whitcombe-Woodstock.html
    >
    > To: evola_as_he_is@yahoogroups.com
    > From: g.vdheide@...
    > Date: Wed, 22 May 2013 21:25:34 +0200
    > Subject: RE: [evola_as_he_is] Re: The Race of the Fleeing Man
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    > "It seems the recording companies which promoted and sold the music were
    > owned by subversive organizations such as the wicca cult."
    > While not refuting your preceding notions, this sounds extremely uninformed.
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    > To: evola_as_he_is@yahoogroups.com
    > From: tlefranc10@...
    > Date: Tue, 21 May 2013 17:31:30 +0000
    > Subject: [evola_as_he_is] Re: The Race of the Fleeing Man
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    > As good as this essay is, it is not up-to-date, as it was written about fifty years ago. The race of the fleeing man has kept evolving and new depths of irresponsibility and immaturity have been reached, especially among the members of the younger generations. One may wonder up to what point all this will end: each generation is worse than the one which gave birth to it.
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    > The dispositions of that race have been reinforced through the use by the subversive forces of various tools, including music. Evola devoted some time analyzing "American" music, such as "jazz" and some forms of "beat" music. He particularly focused on their non-White origins. However, the rise of "modern music", initiated in the 1950's with the "rock and roll revolution", could be considered in a larger picture, as part of the occult war. "Rock and roll", which means "to have sex" in Negro slang, has been at the root of a major cultural revolution promoting various subversive elements: a revolt against authority, general slackness, sexual promiscuity, internationalism, etc. As a phenomenon which has had significant dissolving effects on the minds of people worldwide, it must have been engineered, at least to some extent, as have been most modern revolutions.
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    > French Canadian author J-P Regimbal thoroughly analyzed "rock and roll" as a subversive music causing both physical and psychological damage and leading to a reduced state of consciousness (http://www.histoireebook.com/public/ebook/Regimbald_Jean-Paul_-_Le_Rock_N_Roll_Viol_de_la_conscience_par_les_messages_subliminaux.zip). It appears it is loaded with elements which are more occult. For example, "rock and roll" songs contain numerous subliminal messages and a number of "stars" were ardent spiritualists who composed their "songs" during a state of trance. It seems the recording companies which promoted and sold the music were owned by subversive organizations such as the wicca cult.
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    > --- In evola_as_he_is@yahoogroups.com, "Evola" <evola_as_he_is@> wrote:
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    > > Following 'Youth, Beats and Right-Wing Anarchists', a second essay from 'L'Arco e la Clava' has been published at http://thompkins_cariou.tripod.com/
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    > > It is clear that "`The Race of the Fleeing Man' is terribly topical". In the short introduction to it, the reader will come across statements by J. Evola taken from 'The Road of Cinnabar' that are more or less at odds with its American translation, published as 'The Path of Cinnabar : An Intellectual Autobiography' : whatever mistakes were made in this translation were corrected.
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